John Hughes, Invisible Now: Bob Dylan in the 1960s (Ashgate, 2013)
Times Higher Education
14 November 2013
Hughes rejects the familiar idea of a Dylan who adopts a series of ‘masks’, behind which he hides his true motives. Rather, we are told, the singer enacts a continual sense of indeterminacy and contingency, so that in refusing all identity he challenges our own. His creativity is a form of radical evasion, by which self and substance are deconstructed. In this light, Hughes offers an intriguing account of the key albums of Dylan’s first and most fruitful decade of invention.